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Glass blowing scenes



  Kaemrehu. Embossing painted with limestone. Kaemrehu’s tomb. Sakkara. Old Empire, V Dynasty, 2650 – 2150 B.C.

 


  Mereruka bas-relief. Scene from area III where artisans and worker are represented in detail. Old Empire, VI Dynasty. 2650 – 2150 B. C. Sakkara.

Faience, along with glass and gold, was elaborated in craft workshops. Numerous paintings and other depictions found in tombs in Saqqara, Beni Hasan and Thebes give testimony of this fact. The different steps covered by artisans and goldsmiths to produce their work can be appraised on those representations from the preliminary steps to the delivery and weighing or measuring of metals.

They portray scenes that begin with the weighing of metals, melting and glass blowing, and all the way to the laminating and hammering of gold leaf for each piece, preparing many of the pieces to be studded with semiprecious stones made out of faience or glass paste. Even in Ankhma tomb the workshop is represented as a tile roof, supported by lotus flower shaped golden columns. The name given to the workshop is “n k3”, sometimes abbreviated “is”, but it must have been the usual way workshops were called since it was also used for the embalming workshops.


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